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Average rating of 4.5 out of 5 stars

M. Graham and Co. Artists Oil Paints
Graham Oil: Warm White (Unbleached Titanium) #198 PG1 | Size: 37 ml
KünstlerölfarbeDas in der Künstlerölfarbe von M. Graham verwendete Walnussöl trocknet zu einem klaren Film, der nicht vergilbt und die wahre Farbe der Pigmente durchscheinen lässt.In der Tradition der Meister wird die Künstlerölfarbe von M. Graham aufgrund ihrer Brillanz, Klarheit, Textur und Beständigkeit gegen Ausbleichen und Vergilben aus reinem Walnussöl hergestellt. Wir arbeiten in kleinen Mengen und stellen Ölfarben her, die den Wurzeln der Renaissance-Malerei treu bleiben: zart rieselfähig, lösungsmittelfrei und ohne Füllstoffe oder Zusatzstoffe. Dank der außergewöhnlich hohen Pigmentkonzentration in den Ölfarben von M. Graham-Künstlern wird sich Ihre Arbeit auf natürliche Weise lebendiger und lebendiger anfühlen und über Jahre hinweg von satten, glänzenden Farben durchdrungen sein.

Content: 0.037 Piece (€324.32* / 1 Piece)

€12.00*
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Royal Talens Van Gogh oil paints
Lance: “I have been painting since I was a child. My mother is an artist and encouraged me to paint, about which I am still very grateful. Due to my busy life my painting had to take a back seat, but when I was 40 and achieved everything that I had wanted to achieve, I decided to focus completely on painting. I wanted to share my art, my vision, with the world. Just enjoy myself painting When I started I deliberately did not give myself any objectives, apart from working hard, learning a lot and not worrying what others may think. I just want to enjoy myself painting! My uniqueness My uniqueness comes from simply being myself. I use those colours that arise within me and let the palette knife move, following my emotions at the time. I let my thoughts go where they want to. I always say the finished painting is already on that blank canvas, it just uses my hands and eyes to reveal itself to the world. It has its own life!”PDF colour chart

Content: 0.06 Piece (€99.83* / 1 Piece)

From €5.99* €7.49* (20.03% saved)
Daler and Rowney Georgian Oil
Georgian Oil Die im Jahr 1783 in London ansässigen und nach George Rowney, dem Gründer des Unternehmens, benannten Georgian Oil Colors von Daler-Rowney bereichern den zeitgenössischen künstlerischen Ausdruck durch moderne und brillante Farben, optimale Pigmentbeladung und ein sehr angenehmes Gefühl unter Pinsel und Messer. Georgian Oil Colors werden traditionell in England hergestellt und dreifach gemahlen und bieten Farbkonsistenz von nass bis trocken sowie eine gleichmäßige Leistung und Oberfläche bei allen Farben. Aufgrund ihrer sorgfältigen Formulierung erfordern georgische Ölfarben im Allgemeinen nur sehr begrenzte Mengen an Medien und können daher frei direkt aus der Tube verwendet werden, sodass sich der Künstler auf die spontane Kreativität konzentrieren kann.• Erhältlich in 54 Farben • Zu den hohen Pigmentbelastungen zählen die traditionellen Pigmente Cadmium und Kobalt • Außergewöhnlich dauerhafte und brillante Farben • Die Farben sind untereinander mischbar und von nass bis trocken gleichmäßig • Oberflächentrocken in 4 bis 5 Tagen • 24 Einzelpigmentfarben • 31 deckende oder halbdeckende Farben • Alle Farben werden als Permanent**** oder Normal Permanent*** eingestuft. • Glatte und butterartige Konsistenz, ideal zum Experimentieren mit verschiedenen Pinsel- und Messertechniken • Einfaches Mischen mit Medien bietet endlose kreative Möglichkeiten • Traditionell hergestellt und dreifach gemahlen in England

Content: 0.225 Piece (€49.78* / 1 Piece)

From €11.20*
Royal Talens Van Gogh oil pastels
Van gogh oilpastels: Weiß #100.5
• Auffallende Farbkraft und einfache Farbabgabe • Auf der Basis von reinen Pigmenten, Mineralölen und Wachssorten • Besonders weich, kein Stäuben • Geeignet für diverse Untergründe

€0.89*
Schmincke Norma Professional
Schmincke Norma color: Titanium white ##114 PG1 | Size: 35 ml
Norma® Professional   Finest artists' oil colours, series 11 84 shades including unique special colours  Use of renewable raw materials, e.g. pure, high-quality plant oils  Only highest lightfastness (4 + 5 stars)  Even drying and balanced consistency within the colours  Maximum spreading rate by using the highest concentration of pigments   Available in following sizes: 84 colours in 35 ml tubes, 48 colours in 120 ml tubes and 12 colours in 200 ml tubes, 5 litre buckets on request   Norma® Professional is a modern, environmentally-friendly formulated oil colour of the finest quality for professional and demanding oil painting. The balanced range of colours consists of 84 brilliant, traditional and modern colours including 27 high-quality transparent colours and several unique special colours. These include not only highly lightfast and opaque chrome yellow shades, but also special shades such as poppy red, cobalt turquoise, agate brown, Schweinfurt green hue, neutral black, gold, silver, bronze and others. All 84 colours have maximum lightfastness (4-5 stars).   The ecologically sound formulation includes the use of many natural, sustainable raw materials. High-quality, pure plant oil combinations ensure good adhesion, optimum pigment uptake and decreased tendency for yellowing. The best classical and latest technical pigments used in the highest concentration guarantee a maximum spreading rate and an exceptional luminosity and brilliance of all colours. Careful preparation, traditionally ground on three rolling mills, aged for three months before bottling, ensures that the raw materials are developed optimally in the pure oil paint.   All colours have a balanced, creamy-buttery consistency and therefore have the best painting features and optimum working traces. In addition, optimisation of the formulation produces a shorter, even drying of all colours, which guarantees brilliant and highly durable surfaces.   Norma® Professional has unlimited ability to mix and combine with all Schmincke oil colours (MUSSINI®, AKADEMIE® Oil color and College® Oil) and all oil mediums. 

Content: 0.035 Piece (€211.14* / 1 Piece)

Variants from €6.05*
€7.39*
Lukas Studio Oil 200 ml
Lukas Studio Color: Titanweiss #208
LUKAS STUDIO, die moderne Profi-Qualität mit optimiertem Preis-Leistungs-Verhältnis, enthält ausnahmslos farblich brillante und maltechnisch sichere Pigmente mit hoher Lichtechtheit in hoher Konzentration. Eine Spur (0,5 - 1,5%) von feinstem gebleichten Bienenwachs als Bestandteil der Konsistenzmittel gibt der Farbe die vom Maler gewünschte buttrig, kurze Konsistenz und macht den Farbfilm für den Restaurator weniger spröde. Die Bindemittel sind, wie in allen LUKAS Ölfarbensortimenten, ausschließlich reine, pflanzliche Lein- und Sonnenblumenöle in besonderer Qualität.

Content: 0.2 Piece (€54.95* / 1 Piece)

€10.99*
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Average rating of 0.5 out of 5 stars

Royal Talens Amsterdam Spray 400 ml
Amsterdam spray: Nickel titan. yellow L #279
The spray paint of Amsterdam gives your artistic freedom a new dimension. Use it on any ground you like. There are so many fantastic things you can do with spray paint! It is the perfect technique for anyone who enjoys fast painting. The formula is water-based, making it ideal for indoor use.

Content: 0.4 Piece (€24.75* / 1 Piece)

€9.90*
CLP-/REACH-Notice
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Flame: Flammable Exclamation Mark: Health hazard/Hazardous to the ozone layer
Signalword
Attention!
Hazard Statements
H222: Extremely flammable aerosol.
H229: Pressurized container: may burst if heated.
H336: May cause drowsiness or dizziness.
Precautionary statements
P101: If medical advice is needed, have product container or label at hand.
P102: Keep out of reach of children.
P210: Keep away from heat, hot surfaces, sparks, open flames and other ignition sources. No smoking.
P211: Do not spray on an open flame or other ignition source.
P251: Do not pierce or burn, even after use.
P410 + P412: Protect from sunlight. Do not expose to temperatures exceeding 50 °C/122 °F.
P501: Dispose of contents/container to .
Royal Talens Amsterdam Acrylic
Standard SeriesGreat colorsAmsterdam Standard Series offers you everything you need when you want to paint with acrylic paint. A quality acrylic paint in 73 brilliant shades.Those who paint with acrylic paint can be inspired by Amsterdam by Royal Talens. What connects you and Amsterdam is your creativity. You have the enthusiasm, the talent and the ambition. We have the colours, the tools, the materials, the knowledge and the experience to express it all. Amsterdam All Acrylics - the acrylic brand for the professional artist - offers you a very extensive range of colors and a complete package of tools in excellent quality with the Standard and Expert Series worldwide. With Amsterdam you cross borders and you have every opportunity to realize the most beautiful creative results with your talent.

Content: 0.02 Piece (€80.00* / 1 Piece)

From €1.60*
Kremer Titanweiss Rutil (46200)
Größe kg: 100 g
Titanweiß Rutil, reinst weiß, höchst deckend Umweltschonend mit dem Chlorid-Verfahren ohne Dünnsäure hergestellt.   ColorIndex PW 6.77891 Deckeigenschaft deckend / opak Eignung Acryl, Kalk / Fresko, Keramik, Öl, Tempera, Wasserfarben / Gouache, Wasserglas, Zement / Tadelakt Farben Weiß Formen kristallin Lichtechtheit: Mittel: 8 (1 ist schlecht, 8 am besten) Lichtechtheit: Verdünnt: 8 (1 ist schlecht, 8 am besten) Lichtechtheit: Vollton: 8 (1 ist schlecht, 8 am besten) Loeslichkeit unlöslich Siedepunkt 3000°C Chemische Formel: TiO2

Content: 0.1 Kilogramm (€58.90* / 1 Kilogramm)

€5.89*
Talens Art Creation Acrylfarbe 750ml
Farbe Art Creation: Titanium white #105
Acrylic colour Talens Art Creation is a reliable quality acrylic paint which is 100% based on acrylic resin. The paint is pasty, has a silky sheen when dry and can be painted over quickly. Talens Art Creation can be used both straight from the tube and thinned with water. The paint is waterproof when dry. Due to its adhesive properties this paint allows you to work on any somewhat absorbent ground that is free of grease and dust, such as canvas and paper, as well as plaster, board, wood, stone and cement.

Content: 0.75 Piece (€12.53* / 1 Piece)

€9.40*
Caran dAche Luminance 6901 Farbstifte
Luminance: Weiss #001
Die Cremigkeit einer wasserfesten Mine verbunden mit unvergleichlicher Lichtbeständigkeit: Exzellente Ergebnisse für die anspruchsvollsten Künstler, Designer, Architekten, künstlerischen Leiter…   DETAILS DER STIFTE Erstklassiges, FSC-zertifiziertes Zedernholz Rund mit Kapsel in der Minenfarbe Angabe der Farbnummer und -bezeichnung Die Lichtbeständigkeit entspricht den höchsten internationalen Standards hinsichtlich der Lichtbeständigkeit der Farbstifte DETAILS DER MINE Wasserfest und cremig Durchmesser: 3,8 mm ermöglicht eine klare und präzise Strichführung Maximale Deckkraft Hohe Pigmentkonzentration für intensive Farben ANWENDUNGSTECHNIKEN Unendliche Mischmöglichkeiten, Schattieren, Schichtmalerei Zur Kombination mit SUPRACOLOR® Soft Aquarelle zum Lavieren und für Aquarelleffekte Oder kombiniert mit PABLO® für Details, Schraffurtechniken und zum Kolorieren vielfältiger Untergründe DETAILS DER BLENDER Ein vielseitig verwendbares, farbloses Medium auf Öl- und Wachsbasis, das Farben vermischt, verbindet und intensiviert Bei der Anwendung wird eine wasserfeste Schicht aufgetragen, die zusätzlich den Schutz vor UV-Strahlen erhöht Hexagonale Form, sparsam im Gebrauch, 100 % wiederverwendbar ANWENDUNGSTECHNIKEN Flexible Anwendung: entweder wie einen Stift für kleine Arbeiten oder flach für große Flächen verwenden Ideale Ergänzung zu Farb- und Graphitstiften sowie Wachspastellen von Caran d'Ache

Variants from €2.20*
€3.75*

Average rating of 5 out of 5 stars

Holbein Artists Colored Pencil
Holbein Pencils: Salmon Pink #OP028
Holbein Artists' Pencils are a range of soft and vivid artists' coloured pencils from leading arts manufacturer Holbein. Each pencil has an extremely soft and buttery feel with a vibrant colour laydown. Holbein use high-grade pigments which exhibit little fading or discolouration by light. The mixture of oils, waxes and premium pigments result in a very thick layer of colour that is vivid and permanent. Holbein Artists' Pencils pencil have a comfortable 7.8 mm round barrel with a thick 3.8 mm core, giving artists the ability to lay down a lot of colour at once. The pencils are pre-sharpened and require use with a good quality sharpener because of their softness. This softness and the richness of colours make these very good for colourful works or for enhancing aspects of a drawing that you want to stand out. 150 colours available.

€3.25*
Sakura Pigma Micron 08 (XSDK08#)
Sakura farben: 49 Black (schwarz)
Pigma Micron pens are waterproof and permanent fineliners that are loyally used by designers, scientists, archivers, manga artists, cartoonists, illustrators and hobbyists. It is the recommended pen for Zentangle. The fine nib makes this pen ideal for creating both technical and artistic drawings. PIGMA Micron comes in 10 nib sizes and in various colours for drawing precise lines with an archival ink.

€2.99*
Kremer Chalk from Champagne (58000)
Größe kg: 1 kg
Chalk from Champagne from France, natural calcium carbonate   Chemical description Natural calcium carbonate (CaCO3) ColorIndex PW 18.77220 Suitability Acrylics, Lime / Fresco, Oil, Tempera, Watercolor / Gouache Color White Form powder Solubility in water 0.014 g/l (20°C); 0.018 g/l (75°C)

€4.79*

Average rating of 5 out of 5 stars

Roman Szmal Aquarius Watercolours pans
Roman SzmalAquarius WatercolorsAll AQUARIUS watercolors have excellent lightfastness (minimum rating of 7 on the Blue Wool scale), which means that the colors will not fade for at least 100 years (if used correctly). In contrast to other watercolors, the palette of our Aquarius colors consists exclusively of lightfast pigments.For this reason, our products do not contain any non-permanent pigments, such as PG8, PR83, PY1 or fluorescent. On the other hand, they contain some unique tones not available anywhere else, like PY61, PY168, PV37, PBr23 or PBk8. We only make small batches of our paints, which allows us to maintain an exceptional quality of our paints. Each batch is tested for its performance characteristics: vibrancy, flowability, viscosity, color value, transparency, grain, undertone, color strength, clarity and particle size. For each color we choose the perfect cut that matches the particle size and is optimal for the color's performance. We currently manufacture 180 colours, 154 are mono-pigment colours. Such a wide range of mono-pigment colors allows artists to mix them and create their own high-quality color palettes. Our 34 EARTH SHADES are made from natural earth, not synthetic iron oxides. With colors such as Aquarius Black, Mummy Transparent Red, Hämatite, Van Dyck Brown or Caput Mortuum, we give the artist even more choice. Some unique shades are created exclusively by ROMAN SZMAL ART, such as: B. Aquarius Green, Przybysz's Grey, Ocean Blue, Shadow Violet, Green Gold and Olive Green.We use only the highest quality ingredients: pharmaceutical grade gum arabic and glicerine, linden honey, distilled water and pure pigments. We only buy from suppliers with a good reputation.Each pan of AQUARIUS colors is filled and labeled by hand. The labels of our watercolors are made of hand-painted watercolor paper and provide information about lightfastness, grain, transparency and the degree of penetration into paper.

From €3.49*
Old Holland Classic Oilcolours
Old Holland Colours: Titanium white #A1 | Size: 40 ml
Oil paint has a special place at Old Holland. It is the first product we manufactured.Since the early days of oils, artists have made high demands regarding the durability of their work. In order to meet these demands for optimum durability, Old Holland still produces all its classic oil paints according to traditional formulas (the durability of which has been demonstrated over the course of time), supplemented by the latest contemporary insights. The choice of pigments is a unique mix of the best traditional colours and the best pigments derived from the latest technological developments.   In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.   Each tube of Old Holland oil paint has a colour strip above the label, painted with the colour from the tube in question. We are convinced that this is the only honest method to show the colour in the tube. Old Holland is one of the only company that still uses this method.

Content: 0.04 Piece (€262.50* / 1 Piece)

€10.50*
Lascaux Artist Acryl
Farbe Lascaux Artist: Hansa yellow #111 PG2 | Size: 45 ml
The pastose colour line for highest artistic demands Lascaux Artist is a high-quality acrylic paint applicable in art and decoration. This thick artist’s paint is suitable for all painting techniques, and lends itself to both indoor and outdoor use. Lascaux Artist is a pastose artists' acrylic colour of the highest quality.It comprises 54 carefully balanced hues, rangeing from opaque to transparent depending on the pigment. Lascaux Artist is particularly luminous, and intense and offering high colour depth and economical, Lascaux Artist shows a smooth and thick consistency very similar to classic oil paints. The carefully balanced assortment allows  the mixing of virtually every imaginable shade. All 54 hues provide excellent lightfastness and dry to form an even, semi-matt finish, with minimal shrinkage. The dry film remains flexible and does not crack even when layers are thick. Lascaux Artist is weather-resistant and thus suited for outdoor application. Lascaux Artist is a high-quality acrylic paint applicable in art and decoration. This thick artist’s paint is suitable for all painting techniques, and lends itself to both indoor and outdoor use. Practically every nuance of colour is able to be attained with this balanced assortment of 54 hues. The outstanding colouristic properties of Lascaux Artist meets the highest of expectations. Properties  maximum pigmentation  lightfast, age-resistant and non-yellowing  optimally weather-resistant  water-resistant when dry  very good fi lm fl exibility  minimal colour difference between wet and dry  semi-matt fi nish  consistency : smooth and thick  opacity : ranges from transparent to opaque, depending upon colour tone ( pigmentation )  painting properties: smooth buttery and soft  precision application with brush and palette-knife  adhesion : optimal on practically any fat-free surface  usage : highly concentrated and economical Application  for art and decoration  for all painting techniques  for indoor and outdoor use Usage Lascaux Artist can be applied with any painting tool, either directly from the container or diluted with water. The result is a hard elastic colour fi lm that can be painted over as desired – from delicate glazes to heavy impastos. Priming : We offer products for both rigid and fl exible base coats ( Lascaux Primers and Modelling Pastes ) dependant upon the desired absorption level and texture. Mixing : With the use of the versatile Lascaux Acrylic painting agents, the properties of the paints can be adapted to all techniques, i.e., modifying gloss level, viscosity and structure. Transparency can be increased by mixing with impasto gels, whilst maintaining the thickness of the paint. Varnishing : All acrylic works can be permanently protected and rendered easy to clean with Lascaux Transparent Varnishes. A special transparent varnish with an UV-absorber is available for outdoor applications. Composition Lascaux Artist consists of lightfast pigments and selected pure acrylics. Delivery form Tubes of 45 ml, bottles of 390 ml and 750 ml. Tubes of 200 ml are available in 18 selected hues, see next page. Buckets of 5 litres (Titanium white and Tint white ).

Content: 0.045 Piece (€252.00* / 1 Piece)

Variants from €9.50*
€11.34*

Average rating of 5 out of 5 stars

Holbein ACRYLA Gouache 20ml
Holbein ACRYLA Gouache: Jet Black D136 PGA
Holbein ACRYLA Acryl Gouache 20ml Holbein Acryla Gouache, die in 109 brillanten Deckfarben erhältlich ist, verhält sich wie traditionelle Gummiarabikum-Gouache, aber da sie mit einem Acrylharz-Bindemittel hergestellt wird, ist sie nach dem Trocknen wasserfest. Dies erleichtert das Schichten, da frische Farbschichten aufgetragen werden können, ohne dass die Gefahr des Durchschlagens der unteren Schicht besteht. Acryla Gouache trocknet schnell und mit minimaler Farbveränderung; was man nass sieht, ist das, was man erhält, wenn die Farbe getrocknet ist.Holbein ist einzigartig im Kunstmaterialhandel, weil sie keine Farbprodukte in Einstiegs-/Schülerqualität herstellen. Jede der 16 Farblinien der Künstlerklasse ist auf die speziellen Anforderungen der professionellen/ernsten Künstler abgestimmt, wobei Dauerhaftigkeit, Brillanz und Technik im Vordergrund stehen.

Content: 0.02 Stück (€295.00* / 1 Stück)

€5.90*
Amsterdam Spray Caps Standart Black
Amsterdam Spray Caps Standart Contains: 6 Spraycaps (2cm) in black

€2.90*
Sennelier Oil pastels
Sennelier Pastels: Transparent medium #221 | Size: 5 ml
OIL PASTELS In 1949, Parisian painter Henri GOETZ approached Henri SENNELIER the famous artist materials manufacturer, about creating a wax colour stick for his friend Pablo PICASSO. Picasso, a long-time Sennelier customer and a frequent visitor to their store across the street from the Louvre museum, was looking for a medium that could be used freely on a variety of surfaces without fading or cracking. Their collaboration produced the incomparable SENNELIER oil pastels. Originally available in a palette of classic hues, the colour selection was expanded with the addition of metallic and iridescent hues. Beyond these classic hues a selection of unique shades is available, and in particular a gradation of greys, required for a balanced palette. This evolution is the fruit of a long-standing collaboration with European and North American painters, who have worked with our company in developing an exceptional palette of shades. The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigme nts, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression. The Sennelier oil pastels possess an extraordinarily high pigment content, thus providing them with a high colouring and covering potential, excellent brightness and a high degree of light stability (with the exception of metallic and fluorescent shades). The remarkable properties of these components, along with their precise dosage, provide Sennelier oil pastels with unique properties, making the brand a world-recognised reference. Colourchart Oilpastels.pdf

Content: 0.005 Piece (€430.00* / 1 Piece)

€2.15*
Sennelier Oil Stick
This material allows oil painting to be approached differently. It extends the artist's freedom of expression, allowing a greater degree of spontaneity, of "expressionism". The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation. Supports: canvas, canvas boards, laminated panels, paper. Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects to be achieved. Solid artists' quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.

Content: 0.038 Piece (€191.84* / 1 Piece)

From €7.60*
Kama Pigments Oil Sticks
Kama Oil Sticks: Neutral PG1 | Size: 15 ml
  Oil Sticks are an alternative form of oil paint. They are made by hand, with the finest pigments and natural waxes, in Montréal by KAMA PIGMENTS   The Kama Pigments Oil Sticks basically are an artist’s oil paint in stick form.   They can be applied to a canvas (or any other support that is appropriate for oil paint) quickly, easily and dynamically to create exciting, expressive marks that are not possible with ordinary oil paint.   The colors are amazingly bold, and Oil Sticks can be used without solvents or a palette. They can be mixed and blended directly on the support with a brush or neutral Oil Stick, and can be used to create transparent glazes, thick impastos and anything in between.         Kama Pigments Oil Sticks offer the artist a medium that combines the vividness, depth and consistency of oil paints with the natural ease of application that is typical of pastels and charcoal.   Handmade with natural waxes, walnut oil and no solvent. Compatible with oil paints and painting mediums, encaustics and for final coat on acrylics.     Handmade oil sticks from Canada Contains pure pigments, walnut oil and natural waxes. Easy to use just like pastels or charcoal All kinds of rigid supports, ideally coated with gesso or properly sized (MDF, plywood, masonite, etc.) On sized paper (treated with a coat of liquid glue, medium or varnish to prevent the oil from penetrating)   Kama uses authentic pigments known for their exceptional characteristics. The pigment contents and batch number of the paints are clearly written on every stick.     We at Peter’s Art are the first to offer Kama Pigments in Germany and are selling the sticks in 60ml and 15ml.    

Content: 0.015 Piece (€319.33* / 1 Piece)

€4.79*
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Average rating of 5 out of 5 stars

Gamblin Artist Grade Oil Colors
Gamblin Artist Oil: Titanium white #1 | Size: 37 ml
The Gamblin Color PaletteRobert Gamblin organized our palette into Mineral and Modern color groupings to help artists easily choose a palette of colorsthat best matches their artistic intent. Our colors are also grouped by eras of pigment history: Classical, Impressionist, and 20thCentury. Throughout the history of art, paintings have always been a reflection of the materials that were available to artists.Mineral ColorsThe Mineral side of the color chart includes those colors made from inorganic pigments, that is, metal ores dug from the earth.For many of these pigments, their color is developed in ovens at very high heat. At the bottom of the Mineral side of the chartis the group of earth colors that made up the heart of painters’ palettes during the Classical Era. This group of pigments, whichhas its origins in cave painting and antiquity, was central to the oil painter’s palette from the Renaissance through the ClassicalEra. From this limited range of earth colors, painters depicted form by drawing large contrasts between the darkest darks and thelightest lights, creating the chiaroscuro (literally, “light/dark”) effect so characteristic of classical paintings.During the Industrial Revolution, a whole new array of inorganic pigments was developed from compounds of minerals, such ascobalt, cadmium and manganese. Their intense mass tones complemented earth colors on painters’ palettes and replaced paintsmade from expensive semi-precious stones, fugitive colors, or highly toxic compounds. This full spectrum of pigments, packagedfor the first time as oil colors in tubes, expressed the Impressionists’ interest in pure color.Mineral Colors grey down when mixed with white, which is perfect for capturing the colors of the natural world. Mineral-basedpigments have larger pigment sizes and lower tinting strengths than modern colors. They are leaner and naturally more matte.Mineral colors are mostly opaque. Ultramarine Blue and Viridian, which are transparent, are exceptions. Mineral colors have aLightfastness rating of Excellent (I).Modern ColorsModern organic pigments are carbon-based. Most modern colors, including Quinacridone, Phthalo, and Perylene, aretransparent. Hansa and Napthol are semi-transparent. Because of their small particle sizes and higher oil absorption (fatter),modern pigments make colors of very high tinting strengths that are naturally more glossy.When mixed with white, modern colors make incredibly intense tints. They stay high key in mixtures unless a complement isadded. Rather than shifting from light to dark, a family of modern colors shifts from warm (Phthalo Emerald) to cool (PhthaloGreen). Modern colors have a Lightfastness rating of Excellent (I), with the exception of Hansa Yellow Light and Naptholpigments, which are rated as Very Good (II). Each tube of artist’s grade oil color is marked with a Lightfastness rating.Mineral and Modern colors are completely compatible with each other. Painters can use the characteristics of each color groupdescribed above to create their own personalized color palette.RadiantsGamblin Radiant Colors offer painters eight intense tints – mixtures of pure color and white – at Value 7 on the Munsell®System. Using these Radiant tints, painters can build high key underpaintings and then glaze to achieve optical effects of lightand shade.White, Grey & BlackThe most important color choice we make is the white we bring to our work. There are nine different Gamblin Whites to giveartists a range of working properties, temperatures, drying rates and opacity. Please refer to our Studio Notes Newsletter, Gettingthe White Right, on our website for more information on selecting the right white for your work.Gamblin Portland Greys (Light, Medium, and Deep) can mute the high key tints of the modern colors to make more naturallookingmixtures. Named for the city where they are made and its characteristic grey skies, the Portland Greys are formulatedfor painters who work with value. Our range of the neutral Portland Greys is expanded with Portland Warm Grey and PortlandCool Grey. A triad of muted primary colors is created when Titanium Buff is added to these. This gives painters the ability tocomplete a range of “colored greys.”Gamblin Chromatic Black gives painters a neutral, tinting black with energy that doesn’t muddy and flatten the colors the waytraditional blacks do. Because Chromatic Black is made from two colors that are perfect complements, Quinacridone Red andPhthalo Emerald, it gives painters a dead-center black with life to it and a clean transparency.

Content: 0.037 Piece (€318.92* / 1 Piece)

€11.80*
AMI Phano China Marker
Farben: Schwarz
Phano China Marker Peel-Off Fettstifte Die Mineist mit einem Papiermantel umwickelt, durch Ziehen am Faden lässt sich die Mine auf die gewünschte Länge bringen. Geeignet zum Schreiben und Zeichnen auf Glas, Kunststoff, Papier, Metall und allen glatten Oberflächen. Ungiftig gemäß PMA Zertifikat = ASTDM D4326

€2.00*