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LUCKA Cardboard Edge Protector – No. 1302 Durable and cost-effective edge protector made of corrugated cardboard by LUCKA. Designed to safeguard corners and edges during transport and storage. Material: Heavy-duty corrugated cardboard Purpose: Protection against impact, abrasion, and strapping damage Ideal for: Pallets, crates, parcels, and general packaging

The twill weave is characterised by the diagonal, parallel lines (twill ridge) formed by the juxtaposition of the binding points (crossing points of warp and weft). This fabric shows a clear diagonal twill structure on one side and is rather fine on the other. Cotton with twill weave is suitable for all formats, especially for large formats. weight: 380g / m² width:3.20 m (plus edge) cotton 100% price per running meter      

TALENS GESSO PRIMER 1001Purpose:Production of a universal preparation layer on variousabsorbing subsoilsComposition:  Acrylic resin dispersion, titanium dioxideEnsures good adhesion, including oil, acrylic and poster colorSuitable for absorbent dust- and grease-free substrates such as malt, wood,Multiplex, hardboard, cardboard and paperSuitable as a preparation for brickwork on alkaline and non-alkalineSubfloors like fresh concrete, stucco and brickStrongly absorbent substrates must first be treated with Amsterdam acrylic binderCan be dyed with acrylic paintCan be thinned with waterDrys within a few hours, after 24 hours can be painted over with oil paintStore above 10 ° C, keep frost-freeClean the material with waterAvailable in 1000 ml, 5 l and 10 l.

    weight after priming: 310 g/m²     width: 2.10 m (plus edge)     medium-fine     primed with slightly absorbent universal primer     brown backside     100% cotton     suitable for oil, acrylic, tempera and gouache     price per running meter    10m roll

Artists Soft Fixative protects charcoal, pencil and chalk drawings very carefully. This fast-drying fixative has been specially developed to prevent soiling and dusting. The spray bottle allows even application with easy handling.

Product information "Vallejo Acrylic Studio"A limited range of quality acrylic paints for artists, meeting the highest standards for art paints and ideal for working in the studio, on large formats, murals and installations. Acrylic Studio contains the same resin as Acrylic Artist Color and many of the same pigments; the pigments for this range have been selected for their resistance, purity and color intensity, always with the aim of offering an excellent product at a moderate and consistent price. Acrylic Studio paints do not contain any fillers, so the colors have great strength and chromatic purity. They are opaque or transparent, depending on the type of pigment, and dry to a semi-matt finish. The 26 colors do not contain toxic pigments or heavy metal derivatives and do not generate waste products that could pollute the environment. The name and color index number of the pigments are indicated on the labels and in the color chart, allowing the artist to study mixtures and develop their own colors with complete control. The thick consistency of Acrylic Studio allows all techniques, allows the artist to mix the colors with all mediums and foreign materials and can also be easily diluted with water for more transparent applications. In the range we offer Medium Primal and Studio Gesso; Acrylic Studio is fully compatible with our auxiliary products and with Acrylic Artist Color as well as with all other high-quality acrylic paints for artists.

primed linen, 490g, 2.13 m wide,     Universal primer (three layers)     490 g/m²     fine texture     pure linen fabric     Width: 2.13 m (plus border)     10m roll     PCode: LN08300490Due to its weight/volume, this item must be shipped using a dedicated courier service.

    profile: 2.0 x 6.5 cm     side length 25 - 400 cm     custom formats upon request     ´sharp edge´ upon request     from 2 m 2-fold slit     only available on order, e.g. by e-mail The K 2065 has a profile of  2.0 x 6.5 cm. We use seasoned and kiln-dried pine for the stretcher frame. The wood is finger-jointed to prevent the natural tendency of the wood to warp and, thanks to multiple gluing, is almost free of warping- a high-quality handcrafted product at an extraordinarily affordable price.The stretcher frame is available from a side length of 25 to 400 cm. We will be happy to cut the frame to your desired format for an additional charge of 5 euros per bar. Please note that the cross bars must also be cut to size.The stretcher frame has a round edge. If you wish a 'sharp edge', it is possible against a surcharge.In order to obtain a stretcher frame, you need two stretcher bars of the long side, two of the shorter side and optionally a middle piece or cross and wedges.The hard wood wedges necessary for wedging (2 pieces per bar and middle bar) are not included in the price. Please order for the stretcher bars and the cross braces https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/991/wedges-big-beech/keys-50pcs.?number=10939 If you require an additional bracing, please combine the frame with the cross bars K2065: https://peters-art.de/en/painting-supports/stretchers/wooden-stretchers/2342/stretcher-bar-k60?number=12239 The stretcher frame has a 1-fold slit from a side length of 50 cm up to a side length of 195 cm and a 2-fold slit from a side length of 200 cm.Advice on bracing:Under a side length of 1m no middle bars are needed. If one side length exceeds 1m, one middle bar of the shorter side length is sufficient.If both sides are more than 1m long, you need one bar per side length (a simple cross). If one side is more than 2m long, you need two middle pieces of the shorter side and one of the long side (single double cross). If both sides are more than 2m long, the stretcher bars are each double slotted, so you need two middle bars per side length (double double cross). Please select the appropriate number of middle bars.      

The flat Lascaux artist brushes are available in 16 different sizes. They have matt black, 30 cm long natural wood handles with rust-proof nickel ferrules and are made of high-quality, dark brown Interlon fiber mix with excellent bounce, shape retention and abrasion resistance.

Linen weave is the simplest and certainly the oldest weave: yarns of the same size are woven together in warp and weft direction. The result is an even grid that looks the same from the right and left. Due to its long fibres, linen is extremely tear-resistant. High air permeability and absorbency are just a few of the many properties of these fabrics.     100% linen     unprimed     weight: 395 g/m²     Width: 2.10m / 84 inch (plus border)     coarse texture     dense fabric     calendered finish ( a process used to smooth a material)     Belgian quality     100% vegan     price per running meter     10m Roll     warp threads/cm     20     weft threads/cm     16     #068

The round Lascaux artist brushes are available in 16 different sizes. They have matt black, 30 cm long natural wood handles with rust-proof nickel ferrules and are made of high-quality, dark brown Interlon fiber mix with excellent bounce, shape retention and abrasion resistance.

PRODUCT AVAILABLE ONLY ON A SPECIAL ORDER.MINIMUM AMOUNT 20m.ORDERS PLEASE SUBMIT BY E-MAIL.     hand-primed     weight before priming: 340 g/m²     width: 1.60 m (plus edge)     medium-fine     very good quality     double primed with slightly absorbent universal primer     light back     100 % cotton     suitable for oil, acrylic, tempera and gouache     price per running meter    10m

  PREMIUM QUALITY CANVAS A canvas that can capture every brush stroke is perhaps the most valued by any artist. These artist grade canvases are an apt choise for the discerning professional. Made from 100 % cotton and triple primed with acrylic gesso with acid free sizing, you will delight in the subtle detail that will make your creations stand out. Stretched and back stapled over a heavy-duty kiln dried pine wood section, these canvases retain their original form for years and have been certified to be conforming to ASTM D-4236 100 % cotton - 350g/m² triple primed with acrylic titanium gesso acid free sizing kiln dried stretcher bar high density pine wood easy for re-stretching back stapled suitable for oil & acrylic painting Profil 19 x 38 mm

Raphaël 8404 artist's watercolor brush,fine tipwith a fine tipwith seamless silver ferrule short, black lacquered handlewith a red tip for more precise strokes made of Kolinsky red sable hair

Product information "Lascaux brush type LF CAT'S TONGUE series 17" The Lascaux artist brushes in cat's tongue shape are available in 16 different sizes. They have matt black, 30 cm long natural wood handles with rust-proof nickel ferrules and are made of high-quality, dark brown Interlon fiber mix with excellent bounce, shape retention and abrasion resistance.

Product information "Rembrandt Soft Pastels" Soft pastels from Rembrandt • Excellent color transfer• Intensive and pure colors • Good to very high lightfastness• Very high coloring power due to high pigment concentration • Free of pigments based on the metals lead, cadmium and cobalt. • The complete range consists of 218 colors

profile 38 mm wooden panel 6 mm custom formats on request custom profiles on request Our wooden painting boards consist of a 6 mm multiplex panel, which is glued to a solid wooden frame made of pine, which increases the plan stability. The frame is mitred. Depending on the size of the frame, reinforced with a centre piece or a cross. All woods are natural. The surface is fine sanded and natural light. The board can be covered with fabric or directly primed.The standard depth of the wooden painting boards is 38 mm. We produce boards flexibly in all desired formats and different depths with millimetre precision. Particularly suitable for work with structural or modelling pastes, as well as for work with spatula.Production time approx. 6-7 daysAll the advantages of our wooden painting boards at a glance: finely sanded, natural light surface optimum stability distortion-free under unfavourable room, transport and storage conditions for pasty colour application recommended for the use of modelling pastes and for 3-d images excellent flatness and smooth surface flexible format selection custom profiles possible simple covering thanks to wooden strip on the back side can be painted directly or covered with canvas production time approx. 6-7 days    

Das Acryl-Gesso-basierte Präparat ist saugfähiger als das Universalpräparat, auch weil es mit natürlichen Gessos mit hoher Absorption versetzt wird. Weißes Titan und Acrylharze werden auch in dieser Zubereitung verwendet. Das Endergebnis ähnelt dem Elfenbein und eignet sich für Öl- und Temperamalerei, kann aber auch für Acrylfarben geeignet sein. Seine hohe Absorption verbessert die Trocknung des Gemäldes. 100% Leinen feine Körnung 5 fache Grundierung mit Gesso Ungrundiert 220m² Grundiert 332m²  

A convenient way to get to know our fabrics, test our quality and find your favorite textile.Contents: The bundle primed cotton contains approx. 10 samples, height 20 cm - 60 cm, diameter approx. 20 cm. The package unprimed cotton contains about 5 samples, dimension (WHT) 30cm x 20cm x 30cm. The bundle of unprimed linen contains approx. 5 samples, height 20 cm - 60 cm, diameter approx. 20 cm. The bundle of primed linen contains approx. 10 samples, height 20 cm - 60 cm, diameter approx. 20 cm.

Lascaux Neon fluorescent colours are characterisedby their intense luminance. They containspecial pigments serving as optical brighteners,thus generating an intense luminescence.Combined with black light (ultraviolet light ) thisunique property comes into its own as a highlyeffective glow.Propertiesyy fluorescent glow under black lightyy highly pigmented and colour-intenseyy semi-opaque and mattyy water-resistant when dryyy extremely yieldingyy powerful even when dilutedyy excellent adhesionyy limited lightfastnessApplicationsyy best effect on white surface or in combinationwith black lightyy for dramatic effects in art and decorationUsageLascaux Neon colours can be applied directly or dilutedwith Lascaux Medium to practically every grease-freesurface.Due to their pigments, fluorescent colours are generallyless opaque than most other acrylic artist’s colours.In order to increase the opacity we recommend undercoatingwith a comparable shade.Lascaux Neon is especially suited to application with abrush, roller, airbrush or other painting accessories.Priming :The most powerful luminescence can be achieved bypriming the surface using Lascaux Studio TitaniumWhite or painting directly on paper containing opticalbrighteners.Mixing :Lascaux Neon fluorescent colours can be mixedamong each other and with other acrylic colours, yetin the latter this will decrease luminescence.Lightfastness:Only the most lightfast fluorescent pigments are usedfor Lascaux Neon. Nevertheless Neon – like allother fluorescent colours – is only lightfast to a limiteddegree. The lightfastness depends on the thicknessof the paint layer and the exposition of the work.Varnishing :Neon colours should not be protected using UV protectionvarnishes, as these will block the UV light rangethat is required for fluorescent colours to glow in theircharacteristic manner.CompositionLascaux Neon consist of powerful fluorescent pigmentsand a special pure acrylate binders.

Round - Flat - Filbert - Angular Each tuft 100% handmade. Exceptional spring back of the tuft. Shape retention after each use. Densified Wood Handle Unique colour patterns. Negligible water absorption. Almost double density to natural wood. Long lasting glossy finish. Hair: Black / Silver Synthetic Filament Ferrule: Matt Black Brass Handle Colour: Densified Wood - Charcoal Silver Stone Handle Length: 275 mm  

Shape : Fine Line Brush Fibre : imitation Sable Use : Long lines, precise details.

   The middle bars K2065 are suitable for stretcher frames K2065.   Depending on the length, the centre pieces either have no slot at all (shorter than 50 cm length), only one slot (from 50 cm length) or 2 slots (from 2m length). Accordingly, further middle pieces should be added so that 2 of them interlock at each slot, forming a cross and thus stabilizing the frame. Matching slots are worked into the wedge frames to anchor the ends of the corresponding centre pieces there.  

Soft pastels Ecu with exceptional luminosity from Sennelier. It took more than 3 years to conceive the range of soft, extra-fine pastels Sennelier "à l'écu", creating the most extensive color palette for pastels. Over the decades, the shades have evolved, but the core of the design has remained. All shades can be graded to white*. These pastels are available in all colors as 5ml, in black and white also in the Giga format of 240ml. Being light in hand, they facilitate work on large surfaces and allow regular use. * With the exception of 3 shades, where the gradations to other shades differ.