Product information "AMI linoleum plate profile 3.2mm"Linoleum plate
First-class linoleum plate with spun fabric backing and matt surface, soft and easy to work with. Profile: 3.2mm / available in A2, A3, A4, A5
Lascaux screen printing paste is added to the Lascaux paints and gives a non-toxic, aqueous system for screen printing. The screen printing paste acts as a retarder and can also be used in painting. The drying of the paint is slowed down and the cleaning of the sieves is facilitated.characteristicspastos, colorless, matt compatible with all Lascaux color lines, media and transparent lacquers solvent-free gives the colors optimum consistency for screen printing extends the open time no change in color depth, color intensity and light fastness simplest processing, meets the highest pressure standard.
Product information "AMI linoleum printing ink" Linotype printing ink. High-quality water-based printing ink with a high pigment content and good opacity. All colors are highly lightfast and can be mixed with each other. Use water to clean work equipment
Portland Litho Black ist eine Lithografiefarbe in Künstlerqualität. Diese Tinte spiegelt die Art und Weise wider, wie wir alle unsere Produkte bei Gamblin herstellen, und konzentriert sich auf hochwertiges Öl und einen hohen Pigmentgehalt. Sein Körper unterscheidet sich stark von Prozessschwarztinten, da wir wissen, dass das Drucken von Hand langsam und sanft ist und ein echtes, sattes Schwarz erfordert. Wir streben nach Einfachheit bei der Formulierung unserer Materialien und finden die perfekte Balance zwischen den geeigneten Pigmenten und sorgfältig ausgewählten Ölen. Dadurch fühlt sich unsere Tinte anders an als handelsübliche Tinten aus der Dose. Portland Litho Black wurde sowohl für Platten- als auch für Steindrucke verwendet und wir freuen uns, es in unsere wachsende Sammlung ölbasierter Tinte aufzunehmen. Portland Litho Black ist in der folgenden Größe erhältlich: 1-Pfund-Dose
Pigment: Elfenbeinschwarz PBk7, Ruß PBk9
Pigment: Ivory Black PBk7, Carbon Black PBk9
SDS
Gebrannte Plattenöle werden verwendet, um die Viskosität der Tinte zu senken. Gebranntes Plattenöl sollte den Tinten nur sparsam zugesetzt werden, da die Details eines Drucks verloren gehen können, wenn die Tinte zu flüssig wird. Burnt Plate Oil #000 (SDS) hat eine geringere Klebrigkeit und passt gut zur Verwendung mit Gamblin Relief Inks. Burnt Plate Oil #2 (SDS) hat eine höhere Klebrigkeit und ist das primäre Ölbindemittel für Gamblin Etching Inks.
Lascaux Screen Filler ist ein schnell trocknendes Maskiermedium zum Erstellen von wasserfesten, strapazierfähigen Schablonen. Screen Filler schliesst das Sieb wirkungsvoll und lässt sich nach dem Druck leicht vom Sieb entfernen. Schablonen mit Screen Filler sind dauerhaft und bleiben auch in langen Druckvorgängen bestehen.
Eigenschaften
rasch trocknend und strapazierfähig
wasserfest
wasserverdünnbar, lösemittelfrei
schliesst das Sieb wirkungsvoll
im Sieb leicht erkennbar, da eingefärbt
Produktinfo als PDF
Screen Painting Fluid ist ein verzögert anlösbares Maskiermedium für den Siebdruck. Dieses gebrauchsfertige, wasserlösliche Sieb-Malmittel trocknet schnell zu wasserlöslichen Schablonen, schliesst das Sieb wirkungsvoll und ist im Sieb leicht erkennbar.
Eigenschaften
schnell trocknend
wasserverdünnbar
lösemittelfrei
im Sieb leicht erkennbar, da eingefärbt
lässt sich mit warmem Seifenwasser leicht entfernen
Produktinfo als PDF
AMI Soft Farbwalze
Die Farbwalze aus Gummi eignet sich durch ihre weiche Oberfläche auch für Reliefarbeiten. Die robuste Konstruktion aus Polypropylen und Aluminium verspricht eine lange Lebensdauer und eine angenehme Handhabung.
Um zwischen den Anwendungen Kontakt mit dem Untergrund zu vermeiden, kann die feuchte Walze auf ihre Rückseite gelegt werden. Frische Farbrückstände lassen sich sehr leicht von der glatten Oberfläche entfernen.
Farbe Schmincke Aqualinoldruck:
Titanium White #100
|
Size:
35 ml
Finest aqua LINOPRINT colours, series 19
15 brilliant colours + 3 effect colours (gold, silver, copper)
4 special mediums + 1 universal fixative
Water-based + natural binder (gum arabic)
Best lightfastness (at least 4-5 stars)
For prints with even, sharp contours
High colour depth and good mixability
Available in 35 ml tubes (15 + 3 effect colours), 120 ml tubes (17 colours), 250 ml bottle (7 colours) and ivory black in 1 liter
The extensive variations of lino and material printing provide artists and creative people with many design possibilities.
All 15 colours and 3 effect colours are formulated on a gum arabic base. They contain high-quality organic and inorganic pigments and are characterised by particularly good lightfastness (at least 4-5 stars) and a unique depth of colour. All colours can be used directly, can be mixed with each other and thinned with water. The optimum open times allow perfect finish, the print has sharp contours and an even result. The aqua LINOPRINT colours dry within 15 minutes to be wipe-proof but not waterproof and can be overprinted if necessary.
Gamblin Etching Inks
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential.
Five black inks and Graphite were formulated to meet the demands of printmakers who want deep rich black inks with good working characteristics. Portland Black and Portland Cool Black are ideal for edition printing; both offer a strong line and medium plate tone. For engravers, printers of mezzotints, or others who need more resistance from their ink, Portland Stiff Black is also available. To read more about selecting the Black ink most suited to your printmaking process, read our latest newsletter here.
Gamblin Etching Inks are all bound in the highest quality Burnt Plate Oil.
Formulated in collaboration with Tom Huck of Evil Prints: http://www.evilprints.com/
Entwickelt in Zusammenarbeit mit Tom Huck von Evil Prints: http://www.evilprints.com/ - Farbecht - Intensives, steifes, sattes, kühles Schwarz - Entwickelt für den Druck von Blöcken mit hoher Detailgenauigkeit - Reine gebrannte Leinölbasis, - Keine Füllstoffe, Zusatzstoffe oder Modifikatoren
Speedball Linoleumschneider-Sortiment Nr. 1Enthält (1) roten Linoleumgriff und (1) jeweils Folgendes:
Nr. 1, Nr. 2, Nr. 3, Nr. 5, Nr. 6 Linolschneider Die aus hochwertigem Stahl gefertigten Speedball®-Linoleumschneider sind handgeschliffen und verfügen über Kanten, die sich ideal zum Schneiden von weichen oder harten Substraten eignen.
Magnesium Carbonate is traditionally used to stiffen ink. It will also reduce an ink's gloss level. Once added to ink, Magnesium Carbonate becomes transparent and will not alter the color of the ink. We recommend adding small amounts at a time; little is needed to add body to an ink. Mix well. It can be used with both Etching and Relief Inks. SDS
Linoldruckfarbe. Hochwertige Druckfarbe auf Wasserbasis mit hohem Pigmentanteil und guter Deckkraft. Alle Farbtöne sind von hoher Lichtechtheit und untereinander mischbar. Zur Reinigung von Arbeitsgeräte Wasser verwenden
PERMASET AQUA®- a water-based, environmentally friendly and solvent-free screen printing ink for natural and synthetic textiles - a revolution among screen printing colors. Selected pigments provide an intense, luminous opaque color. Thanks to a novel polymer that binds the pigment to the fabric, it provides an exceptionally soft feel while being particularly wash and abrasion resistant and even suitable for dry cleaning. The ink colours have a light fastness of at least 6/8 on the blue wool scale - most colours even received an 8/8 rating.Can also be used on paper, linoleum, wood, model printing and other non-porous surfaces.Available in normal opaque / transparent (Permaset Aqua) and opaque / high opaque (Permaset Aqua SuperCover) with particularly good opacity on dark substrates, four metallic effect colours and eight luminous colours and as screen printing paste.Permaset Permatone has received Soil Association approval in the UK after successfully meeting the requirements of the Global Organic Textiles Standards (GOTS) for inorganic chemical raw materials for use in organic textile processing.Registration certificate of the soil association: https://www.permaset.com.au/why-water-based-inks/permaset-aqua/Specialty products:
PHOSPHORESCENT GREEN: Enables a "Luminance in the Dark" effect.
PERMA PUFF: Heat activated 3D effect. Can be used with standard colours or with pigment concentrates
The Permaset Foil FX series:
consists of 4 glossy metallic colours (silver, gold, copper and blue)
most effective on dark backgrounds, but also on white or light backgrounds interesting visual effects can be achieved
Due to the large grain size, a "normal" 43T (110 tpi) network cannot be used. A more wide-meshed net such as 20 or 22T (50-55 tpi) is required.
Due to the grain size, abrasion resistance and washfastness are not given
White tones:
STANDARD WHITE particularly opaque due to high titanium dioxide content, but slightly less soft to the touch.
SUPERCOVER WHITE is an opaque opaque white. It has the highest content of titanium dioxide pigments and binders for use on dark pigments. Excellent opacity in a water-based ink
FIRST DOWN WHITE is used by professional printers as a base for printing on dark fabrics to obtain brilliant colors with a soft feel.
PRODUCT DESCRIPTION GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silk-screen application onto paper, wood and other suitable fine art materials. This product is designed to increase working time and prevent paint from drying in the screen too quickly.
NOTE: GOLDEN Silkscreen Medium is NOT intended for use on fabrics to be laundered. Use GOLDEN Silkscreen Fabric Gel for such purposes.
PRODUCT APPLICATION Mixing Information Although any addition of GOLDEN Silkscreen Medium will increase the open time1 of a paint, a good starting point is to blend even parts of paint and medium. Higher levels of the medium will increasingly affect the transparency, but also will increase the open time. Lower levels of Silkscreen Medium produce mixes with the greatest opacity2, but that are more likely to clog in the screen.
Mixing With Other GOLDEN Products GOLDEN Silkscreen Medium can be blended with any of the GOLDEN Acrylic paint lines, Gels and Mediums to lengthen the working (open) time for silk-screening. It is a pourable blend of acrylic, retarder & water that, unlike retarder alone, will form a film, thereby increasing durability and thinning the paint while retarding the drying time.
Transparency/Opacity Silkscreen Medium is not designed to impart opacity. The opacity of the mixture will be determined by the nature of the color being used and the ratio of paint to medium used. Higher levels of the Silkscreen Medium will be increasingly more transparent.
Adding GOLDEN Titanium White to a mixture will increase opacity. Any addition of white will lower a color's chroma and value.
Additionally, transparent colors, including Iridescent and Interference Colors, can be made to appear more opaque when a "base coat"3 is screened first. For example, GOLDEN Iridescent Gold will appear to have greater opacity over a buff-colored base coat. Refer to screen-printer's books and other reference material for further suggestions.
(Consult GOLDEN Pigment Identification Chart to determine the opacity ratings for the various colors).
General Product Information Do not mix with oils. Paint on any non-oily surface. Abrade non-absorbent surfaces for increased adhesion. Minimum film formation temperature is 49oF/9oC. Avoid freezing. Clean screens/tools with soap and water. Safe to use with minimal odor.
ADDITIONAL INFORMATION
Thickness Considerations Thickness, also termed "viscosity," can greatly influence how a printing ink performs. Thinner inks have a greater risk of "bleeding" into the paper or other porous substrates, but perform well on tighter mesh screens and dry quickly on absorbent substrates like paper. Thick, pasty mixes have a higher tendency to clog tighter mesh screens, but can offer increased opacity (due to a thicker film) and are less likely to bleed when screened onto fabrics. These considerations should be addressed before beginning large printing runs.
Choosing a line of GOLDEN Acrylic Paints to use with the Silkscreen Medium depends on the thickness needed for a particular job. GOLDEN Heavy Body Acrylics have a buttery viscosity and will therefore make thicker screening inks. GOLDEN Fluid Acrylics have the same pigment load as our Heavy Body Paints, but are the consistency of heavy cream, and are quite pourable. Mixtures with Silkscreen Medium will remain thin and pourable.
Improving Working Time While Silkscreen Medium dramatically helps to prevent paint from drying in the screen, it does not eliminate the possibility. As soon as a clog becomes apparent, it should be removed with a damp cloth. If the clog is allowed to dry in the screen, it will be extremely difficult to remove. For multiple clogs that develop, stop printing and thoroughly clean screen with water, using a non-abrasive sponge or cloth to remove the clogs. Pat the screen dry and continue printing.
Work quickly, with minimal time between prints. Have screening inks pre-made in sufficient quantities before beginning screening.
To maximize open time, add 5 - 15% GOLDEN Retarder to the GOLDEN Silkscreen Medium/Paint mixture. This will increase the open time, but not dramatically alter the opacity. It is beneficial to pre-wet the screen with a water/Retarder mixture (1:1) before screening. Keep a plant mister bottle filled with this mixture at hand, and lightly spray the screen periodically to prevent paint from drying. Avoid excessive misting, as this can cause bleeding on the paper.
Product information "Pentart Transfer Pen"
Transfer Sift Contents: 10 ml A solvent-based solution suitable for transferring laser-printed images onto smooth, porous surfaces. The pen allows for easy, quick and precise transfers, perfect for working on smaller, fine patterns. Place the image with the printed side on the surface. The text must be mirrored beforehand. Gently paint over the image from the back with the pen. Then wipe/rub the relevant areas with a wooden spatula or metal spoon using light pressure.
LINO Cutting & Printing Kit
This comprehensive kit includes a wide selection of tools and materials for Lino cutting and printing. You can experiment with artisan printing techniques and compare traditional lino and the new Softcut materials, which add new possibilities for beginners and experienced users alike. The 6 different lino cutters allow varied carving styles, whilst the safety cutter and hand guard ensure safe working for younger or less experienced users. The 3-in-1 Baren is a tool for transferring ink from your lino block to paper, but can also be used as a desk tidy for your cutters and as a stamping tool when used with the included self-adhesive Softcut™ discs. You can make many prints with the water based ink whilst keeping your work space clean with the handy ink tray. This educational and fun kit is ideal for making unique greeting cards, gifts, posters or even great works of art! Full instructions are included. Recommended Age: 12 and up with adult supervision.
Brayer - Druckwalze
Die Walze hat eine Metallachse und ist in einem Metallrahmen gelagert. Dadurch rollt der Brayer reibungslos und lässt sich leicht reinigen.Schützen Sie die Oberfläche Ihres Brayers vor Beschädigungen, indem Sie ihn wie auf dem Foto mit der Rolle nach oben lagern. Wir haben die flache graue Kante speziell dafür entworfen.
Permaprint Premium is a 100% solvent free environmentally friendly water- based printing product that provides intense pigments rich in coverage with exceptional colour yield. The resilient resin base is at once both soft and incredibly strong – holding up beautifully to even the most severe rub and wash tests. Permaprint Premium has been formulated to be free of toxic chemicals. The range is water based, thus has no flash point and as such is exempt from flammable Liquids regulations. Permaprint Premium is also free from Lead and other heavy metals, so it’s not only safe for the environment and the printer, but ensures equipment can be easily cleaned with water and solvent fumes are eliminated.
Permaprint Premium is ideal for printing on:
sealed paper
cardboard
polyesters (mylar)
polycarbonate plastics
some coated metals
care should be taken with some vinyls as plasticizer migration may soften the ink over time and also with some uncoated papers as cockling may occur
suitable for use on high lay-down hand printed wallpaper and art reproduction, through to stickers, posters and backlit displays
Flüssig- und Stangentusche (29400)
zum Bezeichnen des Steines, Aluminium- und Zinkplatten mit einem hohen Ätzwiderstand. Sie sind aus den bewährten Komponenten Schellack, Wachs und Seife zusammengesetzt und der verwendete hochwertige Russ ist fein dispergiert. Flüssige Tuschen eignen sich für deckende Flächen; Stangentusche (die feucht angerieben werden muss) für Halbtöne und Ãœbergänge. Für die Federtechnik werden weiche bis mittelharte Steine von feiner Körnung eingesetzt. Als Zeichengeräte kommen Zeichenfeder, Rohrfeder, Gänsekiel, Reißfeder usw. in Frage.
PERMASET AQUA®- a water-based, environmentally friendly and solvent-free screen printing ink for natural and synthetic textiles - a revolution among screen printing colors. Selected pigments provide an intense, luminous opaque color. Thanks to a novel polymer that binds the pigment to the fabric, it provides an exceptionally soft feel while being particularly wash and abrasion resistant and even suitable for dry cleaning. The ink colours have a light fastness of at least 6/8 on the blue wool scale - most colours even received an 8/8 rating.Can also be used on paper, linoleum, wood, model printing and other non-porous surfaces.Available in the CMYK colours Cyan, Magenta, Yellow and Black.Permaset Permatone has received Soil Association approval in the UK after successfully meeting the requirements of the Global Organic Textiles Standards (GOTS) for inorganic chemical raw materials for use in organic textile processing.Registration certificate of the soil association: https://www.permaset.com.au/why-water-based-inks/permaset-aqua/
Die gebrauchsfertigen Tuschen von Lascaux erlauben eine grenzenlose Vielfalt von Effekten bei der Gestaltung von Druckpositiven.
Lascaux Tuschen bilden ein einzigartiges Sortiment innovativer, gebrauchsfertiger, wasserlöslicher Produkte, die speziellfür die Herstellung von Druckpositiven für „belichtungsabhängige“ Druckverfahren entwickelt wurden. Die Positive könneneingesetzt werden bei wässrigen Siebdrucksystemen, bei acrylic-resist Ätzverfahren (ARE), solar plate Druckverfahren wieauch bei traditionellen Druckmethoden verwendet werden. Die Tusche Markierungen erscheinen im Druck.Eigenschaften und AnwendungsbereicheDie gebrauchsfertigen Tuschen dienen der Herstellung handgefertigter, deckender Markierungen auf Druckformen. Bilderkönnen auf glatte PVC Folien oder gekörnte Träger gemalt werden. Die Tuschen können auch dafür verwendet werden,Bilder auf fotographi-schen, digitalen oder fotokopierten Positiven zu verändern. Einige Träger können fettige Oberflächenhaben, welche die Tusche abstossen. Diese Träger können vor der Anwendung mit einem Haushaltreiniger leicht entfettetwerden.Jede Tusche hat unterschiedliche Eigenschaften und alle weisen hervorragende Verarbeitungseigenschaften auf. IhreEigenschaften variieren von flüssig, schnell trocknend und wasserfest zu zähflüssig, langsam trocknend und wiederanlösbar. Die Tuschen bieten eine breite Vielfalt von Markierungsmöglichkeiten, einschliesslich feiner Zeichnungen,gemalter Markierungen, Lavierungen wie im Steindruck, Ausspreng- und Weichgrundeffekte wie bei der Radierung,Airbrush Markierungen, Auftragen mit einer Walze, „offsetting“ und „pattern making“. Die Tuschen sind zur leichtenIdentifikation eingefärbt und können sich innerhalb eines Bildes vermischen. Lascaux Tuschen können direkt aus derFlasche benützt werden oder mit Lascaux Diluting Liquid, Wasser oder gerbsäurehaltigen Flüssigkeiten verdünnt werden(in der Palette oder auf der Unterschicht). Gemalte Lavierungen sollten beim Trockungsvorgang in keiner Weisemanipuliert werden.EntfernenLascaux Tusches sollten vor dem Eintrocknen mit warmem Seifenwasser von Pinseln, Werkzeugen und Oberflächenentfernt werden. Eingetrocknete Tusche kann mit Haushaltreiniger entfernt werden. Ein nicht kratzender BadreinigerSchwamm macht das Entfernen der Tusche leichter.Empfohlene TrägerPentaclear (klar glänzend) starre PVC Folien 700 x 1000cm, 240 microns ADP. Gebindegrösse500 ml