Roman SzmalAquarius WatercolorsAll AQUARIUS watercolors have excellent lightfastness (minimum rating of 7 on the Blue Wool scale), which means that the colors will not fade for at least 100 years (if used correctly). In contrast to other watercolors, the palette of our Aquarius colors consists exclusively of lightfast pigments.For this reason, our products do not contain any non-permanent pigments, such as PG8, PR83, PY1 or fluorescent. On the other hand, they contain some unique tones not available anywhere else, like PY61, PY168, PV37, PBr23 or PBk8. We only make small batches of our paints, which allows us to maintain an exceptional quality of our paints. Each batch is tested for its performance characteristics: vibrancy, flowability, viscosity, color value, transparency, grain, undertone, color strength, clarity and particle size. For each color we choose the perfect cut that matches the particle size and is optimal for the color's performance. We currently manufacture 180 colours, 154 are mono-pigment colours. Such a wide range of mono-pigment colors allows artists to mix them and create their own high-quality color palettes. Our 34 EARTH SHADES are made from natural earth, not synthetic iron oxides. With colors such as Aquarius Black, Mummy Transparent Red, Hämatite, Van Dyck Brown or Caput Mortuum, we give the artist even more choice. Some unique shades are created exclusively by ROMAN SZMAL ART, such as: B. Aquarius Green, Przybysz's Grey, Ocean Blue, Shadow Violet, Green Gold and Olive Green.We use only the highest quality ingredients: pharmaceutical grade gum arabic and glicerine, linden honey, distilled water and pure pigments. We only buy from suppliers with a good reputation.Each pan of AQUARIUS colors is filled and labeled by hand. The labels of our watercolors are made of hand-painted watercolor paper and provide information about lightfastness, grain, transparency and the degree of penetration into paper.

Product information "Holbein Artists Watercolours" Holbein Watercolour is a transparent European style watercolour, but also allows the brushwork inherent in traditional Japanese watercolour techniques. Without ox gall or other dispersants, it is slow to apply, allowing greater colour density and brushwork. It is a range of colours with a uniform, creamy texture that remains smooth when dry without breaking, crumbling, flaking or moulding in the palette. It can be re-wetted effortlessly like a pan colour. For this reason, Holbein does not produce watercolours in pan form, but allows artists to make their own selections.Load the compartments of a suitable palette with the desired selection of colours. Allow the paint to dry and moisten if necessary. Holbein watercolours produce brilliant transparent glazes as well as powerful, clean darks when used in more concentrated applications. Holbein Watercolor is designed to exceed the quality standards of North American and European manufacturers and is preferred worldwide for its handling characteristics. Holbein Watercolor is considered to be among the finest in the world. Holbein Artist Watercolor is available in two formats, in tubes (5 ml and 15 ml) or in a limited selection of half pans.

Aqua-Maskierstift 36.9 ml mit feiner Nadelspitze. Trocknet schnell, kann man ihn leich abrubbeln. Artikelnr : N142600.37

Product information "Kremer watercolour bowl" Watercolour bowls Available as whole or half bowls, empty.

Roman Szmal AQUARIUS Leerkasten aus Metall (Empty Metal Watercolour Box)  in verschiedenen Größen mit ausklappbarer Palette robust verarbeitet perfekt für AQUARIUS Näpfchen

Today as in 1993, the DANIEL SMITH Watercolors are “formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints”, and every batch made is tested and analyzed for its performance qualities:   Lightfastness Color value Tinting strength Clarity Vibrancy Undertone Particle size Density Viscosity   Daniel Smith is truly the worldwide leader of watercolors for artists with 250+ beautiful colors in the 15ml watercolor tubes, the most of any manufacturer, and 88 of the most popular colors in 5ml watercolor tubes.  Many are traditional colors relied upon by all artists, and there are many “truly unique” colors made only by Daniel Smith that have become so important to watercolor artists.   Quinacridone Watercolors, Daniel Smith was the first manufacturer to use the high-performance Quinacridone pigments for artists paints.  Quinacridone pigments were developed for the automotive industry which requires extremely lightfast and durable paints.  The Quins are known for their brilliant color and for their luminous transparency which make them wonderful for watercolors.   PrimaTek Watercolors are made from minerals, often semi precious minerals, that have been ground into pigments, mixed with gum arabic (the binder) and milled into PrimaTek Watercolors. The first was Lapis Lazuli Genuine in 1998, since then, many more have been added such as Amethyst Genuine, Piemontite Genuine and Serpentine Genuine. Most of these colors have wonderful granulating effects that some artists have called “magical”.   Luminescent Watercolors have special optical effects perfect for subjects that have a sparkle, sheen, or reflective glow like the iridescence of hummingbird feathers or the sheen of metals.   Cadmium Hues, Daniel Smith has developed safe and vibrant Cadmium Hues with the density and richness of cadmium colors without the cadmium pigment. Virtually identical in color to their namesakes, they are cleaner in mixtures and much stronger in tints. The working properties – staining power, semi-transparency and excellent lightfastness – are nearly identical to those of the low-soluble cadmium colors Daniel Smith previously manufactured.   Color-Chart of the Daniel Smith Watercolors

Roman Szmal Aquarius Watercolors Sets: Starter Sets - Lemon Yellow (204), Ultramarine Light (223), Caput Mortuum (239), Aquarius Red (323), Aquarius Green (346) Adam Papke - Cyprus Burnt Umber (128), Lemon Yellow (204), Prussian Blue (219), Ultramarine Blue (Green Shade) (222), Payne´s Grey (243), Cadmium Yellow Deep (309), Quinacridone Gold (310), Cadmium Red (324), Mineral Violet (334), Phtalo Turquoise (338), Aquarius Green (346), Green Gold (347) Artur Przybysz - Natural Sienna Light (108), Red Ochre (115), Van Dyck Brown (131), Hansa Yellow Medium (206), Phtalo Blue (Red Shade) (225), Phtalo Green (Yellow Shade) (230), Caput Mortuum (239), Nickel Azo Yellow (308), Cadmium Vermilion (320), Aquarius Red (323), Przybysz´s Grey (401), Cobalt Blue (405) Krzysztof Kowalski - Aquarius Yellow (304), Natural Sienna Light (108), Quinacridone Magenta (332), Ultramarine Blue GS (222), Hansa Yellow Medium (206), Quinacridone Burnt Sienna (349), Quinacridone Red (331), Phthalo Blue GS (103), Nickel Azo Yellow (308), Cyprus Burnt Umber (128), Pyrrol Red (210), Hooker´s Green (342) Pasqualino Fracasso - 201 Buff Titanium, 232 Naples Yellow Light, 362 Quinophthalone Yellow, 308 Nickel Azo Yellow, 329 Cherry Quinacridone Red, 355 Transparent Pyrrole Orange, 109 Gold Ochre, 360 Goethite, 333 Quinacridone Pink, 116 Veronese Red Earth, 128 Cyprus Burnt Umber, 239 Caput Mortuum, 334 Mineral Violet, 414 Cobalt Sea Blue, 226 Blue Sky, 131 Van Dyck Brown, 336 Shadow Violet, 228 Transparent Turquoise, 103 Phthalo Blue (green shade), 346 Aquarius Green, 247 Aquarius Black, 227 Lavenda, 405 Cobalt Blue, 254 Ultramarine Intense. Krzysztof Ludwin - 102 titanium white, 203 hansa yellow light, 304 aquarius yellow, 308 nickel azo yellow, 307 indian yellow hue, 313 permanent orange, 317 scarlet lake, 321 scarlet red, 210 pyrrole red, 326 perylene maroon, 322 quinacridone magenta, 212 naples yellow reddish, 216 manganese violet, 334 mineral violet, 336 shadow violet, 221 french ultramarine, 405 cobalt blue, 227 lavenda, 224 royal blue, 225 phthalo blue (red shade), 344 ocean blue, 104 phthalo green (blue shade), 229 chromium green oxide, 342 hooker's green, 345 olive green light, 346 aquarius green, 107 venetian yellow earth, 235 natural sienna monte amiata, 237 mummy transparent red, 120 italian burnt sienna, 239 caput mortuum, 128 cyprus burnt umber, 242 sepia, 401 przybysz's grey, 243 payne's grey, 409 perylene green. Andrzej Gosik's - Quinophtalone Yellow 362, Nickel Azo Yellow 308, Transparent Pyrrole Orange 355, Permanent Alizarin Crimson 330, Pyrrole Red 210, Quinacridone Magenta 332, Venetian Yellow Earth 107, Transparent Oxide Brown 241, Burnt Sienna Monte Amiata 250, Transparent Brown 351, Indian Red 135, Hematite (Violet Shade) 248, Cobalt Sea Blue 414, Ocean Blue 344, Phthalo Green (Blue Shade) 104, Sap Green Light 252, Hooker's Green 342, Perylene Green Deep 410, Phthalo Turquoise 338, Blue Sky 246, Phthalo Blue (Red Shade) 225, Ultramarine Intense 254, Aquarius Cobalt Blue 412, Shadow Violet Light 335 Mona Omrani's - Titanium White 102, Benzymidazole Yellow 205, Nickel Azo Yellow 308, Permanent Yellow 311, Yellow Ochre 106, Cyprus Raw Umber 126, Aquarius Grey 253, Scarlet Red 321, Permanent Alizarin Crimson 330, Cherry Quinacridone Red 329, Quinacridone Magenta 332, Dioxazine Violet 218, Shadow Violet 336, Misty Morning 415, Lavenda 227, Cobalt Blue 405, Ultramarine Intense 254, Phthalo Blue (Green Shade) 103, Indigo (Hue) 220, Payne's Grey 243, Aquarius Green 346, Permanent Green Light 231, Hooker's Green 342, Phthalo Green (Blue Shade) 104, Blue Ridge Burnt Sienna 256, Sepia 242, Neutral Tint 244, Aquarius Black 247 Jane Blundell - Buff Titanium 201, Hansa Yellow Medium 206, Quinacridone Gold 310, Aquarius Orange 354, Pyrrole Scarlet 319, Pyrrole Rubine 328, Quinacridone Red 331, Mineral Violet 334, Ultramarine Intense 254, Cobalt Cerulean Blue 407, Phthalo Blue (Green Shade) 103, Cobalt Turquoise 340, Phthalo Green (Blue Shade) 104, Perylene Green 409, Aquarius Green 346, Sap Green Light 252, Gold Ochre 109, Goethite 360, Mummy Transparent Red 237, Blue Ridge Burnt Sienna 256, Indian Red 135, Cyprus Burnt Umber 128, Cyprus Raw Umber Deep 132, Shadow Grey 259 Izabela Wolska-Kusmider - Aquarius Yellow 304, Permanent Yellow 311, Quinacridone Gold 310, Benzimidazole Orange 208, Permanent Red 322, Permanent Alizarin Crimson 330, Quinacridone Magenta 332, Quinacridone Pink 333, Dioxazine Violet 218, French Ultramarine 221, Phthalo Blue (Red Shade) 225, Cobalt Cerulean Blue 407 Aquarius Mixing Palette - 201 Buff Titanium PW6:1, 206 Hansa Yellow Medium PY74, 310 Quinacridone Gold PY150/PO48, 319 Pyrrole Scarlet PR255, 328 Pyrrole Rubine PR264, 331 Quinacridone Red PV19, 254 Ultramarine Intense PB29, 132 Cyprus Raw Umber Deep PBr7, 135 Indian Red PR101, 256 Blue Ridge Burnt Sienna PBr7, 360 Goethite PBr, 104 Phthalo Green (Blue Shade) PG7, 103 Phthalo Blue (Green Shade) PB15:3, 407 Cobalt Cerulean Blue PB36   Aquarius Urban Sketching - Quinophthalone Yellow (362), Pyrrole Scarlet (319), Quinacridone Magenta (332), Ultramarine Intense (254), Blue Sky (226), Shadow Grey (259), Sap Green Light (252), Aquarius Green (346), Buff Titanium (201), Gold Ochre (109), Italian Burnt Sienna (120), Cyprus Burnt Umber (130).The Essentials - Buff Titanium PW6:1 (201), Hansa Yellow Light PY3 (203), Hansa Yellow Medium PY74 (206), Gold Ochre PY43 (109), Nickel Azo Gold PY150/PR102 (380), Mummy Transparent Red PR102 (237), Blue Ridge Burnt Sienna PBr7 (256), Pyrrole Scarlet PR255 (319), Aquarius Orange PO N/A (354), Quinacridone Red PV19 (331), Pyrrole Rubine PR264 (328), Quinacridone Magenta Intense PR N/A (416), Mineral Pink PB29/PR122 (379), Indian Red PR101 (135), Cobalt Sea Blue PB28 (414), Lavenda PW6/PB29/PV16 (227), Cobalt Cerulean Blue PB36 (407), Misty Morning PG50/PV19 (415), Phthalo Blue (GS) PB15:3 (103), Ultramarine Intense PB29 (254), Cyprus Burnt Umber Deep PBr7 (130), Autumn Green PG26/PY150/PR112 (363), Sap Green PY150/PG7 (233), Phthalo Green (BS) PG7 (104), Aquarius Green PY150/PBr25/PB29 (346), Shadow Violet PG50/PB29/PV19 (336), Aquarius Violet PB29/PV19/PR255 (369), Payne’s Grey PBk9/PB27/PR264 (243).    Alle AQUARIUS-Aquarelle haben eine hervorragende Lichtechtheit (Mindestbewertung 7 auf der Blue Wool Skale), was bedeutet, dass die Farben mindestens 100 Jahre lang nicht verblassen (wenn sie richtig angewendet werden). Die Palette unserer Aquarius-Farben besteht im Gegensatz zu anderen Aquarellen ausschließlich aus lichtechten Pigmenten.Aus diesem Grund enthalten unsere Produkte keine nicht permanenten Pigmente, wie z.B. PG8, PR83, PY1 oder fluoreszierend. Andererseits enthalten sie einige einzigartige Töne, die nirgendwo anders erhältlich sind, wie PY61, PY168, PV37, PBr23 oder PBk8. Wir stellen nur kleine Mengen unserer Farben her und können so eine außergewöhnliche Qualität unserer Farben aufrechterhalten. Jede Charge wird auf ihre Leistungsmerkmale geprüft: Lebendigkeit, Fließfähigkeit, Viskosität, Farbwert, Transparenz, Körnung, Unterton, Farbstärke, Klarheit und Partikelgröße. Für jede Farbe wählen wir den perfekten Schliff, der der Partikelgröße entspricht und für die Leistung der Farbe optimal ist. Derzeit fertigen wir 140 Farben, 117 sind Monopigmentfarben. Eine solch große Auswahl an Monopigmentfarben ermöglicht es Künstlern, diese zu mischen und ihre eigenen hochwertigen Farbpaletten zu erstellen. Unsere 34 EARTH SHADES werden aus natürlichen Erden hergestellt, nicht aus synthetischen Eisenoxiden. Mit Farben wie Aquarius Black, Mummy Transparent Red, Hämatite, Van Dyck Brown oder Caput Mortuum geben wir dem Künstler noch mehr Auswahl in die Hand. Einige einzigartige Farbtöne werden ausschließlich von ROMAN SZMAL ART kreiert, wie z. B. Aquarius Green, Przybysz's Grey, Ocean Blue, Shadow Violet, Grüngold und Olivgrün.Wir verwenden nur Zutaten von höchster Qualität: Gummi Arabicum und Glicerine in Pharmaqualität, Lindenhonig, destilliertes Wasser und reine Pigmente. Wir kaufen nur von Lieferanten mit einem guten Ruf.Jede Wanne AQUARIUS-Farben wird von Hand gefüllt und etikettiert. Die Etiketten unserer Aquarelle bestehen aus handbemaltem Aquarellpapier und geben Auskunft über Lichtechtheit, Körnung, Transparenz und den Grad des Eindringens in Papier.

WATERCOLORS: M. Graham watercolors are created with exceptional amounts of pigment in a time-honored binding medium of pure gum arabic, glycerine and natural blackberry honey.   Why Honey As an essential ingredient in our binding medium, honey contributes to moistness for smooth, easily controlled applications, increased pigment concentrations, and freedom from over reliance on preservatives.  Because of the honey medium, our watercolor resists hardening on the palette, or in the tube.  It dilutes easily, often after months of disuse.

You will only find this historic special shade in Schmincke's Retro-Line. The original cochineal red is a transparent, deep shade of red that is obtained from cochineal scale insects and was once an important color in watercolor painting.

Ein Satz von 12 Farben in einer sehr funktionellen Metallkassette, die aufgeklappt gleichzeitig als Palette zum Mischen von Farben dient. Das Set enthält die notwendigsten Farben, die es ermöglichen, viele individuelle Schattierungen zu erhalten. Die Kassette nimmt so wenig Platz ein, dass Sie sie immer bei sich haben und, falls nötig, in jeder Situation das, was Sie gerade inspiriert, festhalten können. Abmessungen und Gewicht (ohne Verpackung) 12,2 x 7,3 x 2,5 cm, 160 g Farben: Aquarius Yellow PY168 #304, Pyrrole Scarlet PR255 #319, Aquarius Red PR214 #323, Mineral Violet PB29/PV19 #334, French Ultramarine PB29 #221, Phthalo Blue (RS) PB15:6 #225, Sap Green Light PY110/PG7 #252, Aquarius Green PY150/PBr25/PB29 #346, Venetian Yellow Earth PY43 #107, Burnt Sienna Monte Amiata PBr7 #250, Caput Mortuum PR102 #239, Cyprus Burnt Umber Deep PBr7 #130                  

AMI watercolor cups Plastic cups for metal watercolor boxes Filling quantity: 1.6 ml and 3.2 ml Available in bags or cups of 12 or 40 pieces each

  Maskierflüssigkeit Die Maskierflüssigkeit deckt beim Malen mit Aquarell-, Tusche oder Gouachefarben die nicht zu bearbeitenden Bildstellen ab.Sie kann mit dem Pinsel oder einer Feder aufgetragen werden.Sie ist leicht gefärbt, damit man sie besser von dem weißen Untergrund unterscheiden kann. Nach wenigen Minuten Trocknungszeit kann die Arbeit mit der Farbe beginnen. Im getrockneten Zustand lässt sie sich einfach mit dem Finger abrubbeln. Immer vor Anwendung auf dem Untergrund testen.Die Werkzeuge schnell nach dem Gebrauch in warmer Seifenlauge auswaschen. Flasche 75 ml Artikelnr.: N142600.75

Product information "Staedtler Mars Lumograph watercolor pencils" Staedtler Mars Lumograph watercolor pencils High-quality water-soluble artist pencils for classic watercolor drawings and sketches.

Holbein Rubber Stamp (Watercolor Tubes) Ein Stempel mit dem Motive der Holbein Aquarelltube. Ideal zum Erstellen eigener Farbkarten.

Product information "Roman Szmal Aquarius Watercolors half pans"Roman Szmal Aquarius Watercolors All AQUARIUS watercolors have excellent light fastness (minimum rating of 7 on the Blue Wool Scale), meaning the colors will not fade for at least 100 years (if used correctly). In contrast to other watercolors, the palette of our Aquarius colors consists exclusively of lightfast pigments. For this reason, our products do not contain any non-permanent pigments such as PG8, PR83, PY1 or fluorescent. On the other hand, they contain some unique tones that are not available anywhere else, such as PY61, PY168, PV37, PBr23 or PBk8. We only produce small quantities of our paints and this allows us to maintain exceptional quality of our paints. Each batch is tested for its performance characteristics: vibrancy, flowability, viscosity, color value, transparency, grain, undertone, color strength, clarity and particle size. For each color we select the perfect cut that corresponds to the particle size and is optimal for the performance of the color We currently produce 180 colors, 154 of which are monopigment colors. Such a wide range of monopigment colors allows artists to mix them and create their own high quality color palettes Our 34 EARTH SHADES are made from natural earths, not synthetic iron oxides. With colors like Aquarius Black, Mummy Transparent Red, Hematite, Van Dyck Brown or Caput Mortuum, we give the artist even more choice. Some unique shades are created exclusively by ROMAN SZMAL ART, such as: B. Aquarius Green, Przybysz's Grey, Ocean Blue, Shadow Violet, Green Gold and Olive Green.We only use the highest quality ingredients: pharmaceutical grade gum arabic and glicerine, lime honey, distilled water and pure pigments. We only buy from suppliers with a good reputation.Each cup of AQUARIUS colors is filled and labeled by hand. The labels on our watercolors are made of hand-painted watercolor paper and provide information about lightfastness, grain, transparency and the degree of penetration into paper. Accessory items

Polychromos artists' pencils are valued internationally by professionals and semi-professionals for their unsurpassed quality. The high quality standards of the Polychromos colored pencils shine through, whether they are used for graphics, artistic free style or for the exact rendition of plans. Thick 3.8 mm lead Soft, vibrant color laydown High-quality acid-free pigments in bright colors, unsurpassed lightfastness Water-resistant and smudgeproof High break resistance due to Secural bonding process (SV) Available as individual pencils or in various assorted sets

Brillant Pink, Shell Pink, Naples Yellow, Jaune Brillant No.1, Leaf green, Compose green, Emerald green nova, Compose Blue, Horizon blue, Verditer blue, Lavender, Lilac

Produktinformationen "Holbein Plastic Removal Pans" Holbein Plastic Removal Pans for Holbein Watercolour Palette with removable pans. Polypropylene Package weight: approx. 20g

Product information "Holbein Watercolour Brush - Twin Set With Sponge" Contents: Watercolour brush L for large areas and M for details, plus a sponge for removing excess water or for corrections.

Product information "Holbein Watercolor Masking Ink 55ml"If you draw with this ink before drawing with watercolor paint, you can make it white. It can also be used on the drawing surface. Dilute with water or soapy water as desired and apply to the screen with a brush or pen. After drying, trace from the top and scrape off the ink with an eraser after drying. Use paper with strong surface strength, such as Waterford watercolor paper, Arche watercolor paper and Strathmore Imperial watercolor paper. If you use other types of paper, the paper may be torn, so please try it before using.

Produktinformationen "Holbein Empty Palm Box Plus" Leerer Aquarellkasten mit 5 Fächern für kleine oder große Näpfchen + Palette 120x30x170mm

Product information "ShinHan Art Premium Water Color PWC 15 ml" PWC, Extra Fine Artists Water Color PWC, Extra Fine Water Colors is crafted with the highest quality pigments and the finest high-grade gum arabic. To enhance the clarity and depth of color, single-pigments have been used whenever possible and the usage of mixed pigments has been limited. Using single-pigments, water colors are less prone to fading and the consistency of colors are improved. PWC offers exceptional clarity and transparency that artists desire, along with superior lightfastness to resist fading. PWC is ideal for spread techniques and color overlapping, bringing out the best in water color paper. The color palette offers a total of 84 colors that are transparent and subtle, yet intense and vibrant, allowing for an even greater freedom of expression. 84 very pure and exuberant colors Carefully selected, fine pigments High-grade gum Arabic vehicle Highest degree of lightfastness Maximum degree of transparency

DANIEL SMITH Extra Fine Watercolor Dot Cards Farbkarte zum Auszuprobieren, teste die extra feinen 'Aquarellfarben von Daniel Smith. 3 einfache Schritte um die Aquarellfarbmagie selbst auszuprobieren. Feuchten Sie Ihren Pinsel an. Tauchen Sie den nassen Pinsel in einen der Aquarellfarbenkleckse. Geben Sie den Pinsel mit der Farbe aufs Papier und bewundern Sie die wunderschöne Farbe selbst.  

Product information "DANIEL SMITH Watercolor Masking Fluid 30ml" Our watercolor masking fluid is easy to apply using the bottle applicator, the included 5 fine tip applicator tips or with an inexpensive paint brush. Masking Fluid creates an impenetrable barrier to protect your watercolor paper and preserve the white areas by preventing watercolor paints from flowing into areas you don't want, leaving sharp, clean edges. Our masking fluid is cream in color and dries to a transparent caramel color so you can see it as you work and yet it is unobtrusive when working on your painting. Once the masking fluid has dried, it is easy to remove with a rubber cement pickup or even your clean fingers. However, be careful not to leave any oils from your fingers behind when rubbing the dried masking fluid. Oils from your fingers can interfere with reapplying watercolor paints. Once the masking fluid has been removed, either leave the white areas white or apply fresh watercolor over the white area you have retained to maintain maximum watercolor vibrancy. Tips for using DANIEL SMITH Watercolor Masking Fluid: Do not shake the masking fluid or you will create air bubbles that will enter the applicator tip and transfer the bubbles into your masking fluid line. DANIEL SMITH Masking Fluid does not need to be shaken as our latex mix does not separate easily. If you feel like something needs mixing, gently roll the bottle across the table once or twice. I like to keep my Masking Fluid upside down in a small jar when I am working with the Masking Fluid in between actual application. This way, any bubbles that may be present will stay at the top (which are now at the bottom since the bottle is upside down) and will not get into the applicator needles. When applying, gently squeeze the bottle to allow the masking fluid to flow out of the applicator tip. Stop squeezing once you get a "bead" of masking fluid. Begin applying masking fluid to your watercolor paper and allow capillary action to draw out the masking fluid as you move the applicator bottle across the paper. You may need to give the occasional light squeeze if capillary flow is interrupted. Keep the bottle upside down to allow capillary action to continue flowing once it has started. (another reason it's good to store the bottle upside down in a jar when not actually applying) Be sure to rinse the applicator tip thoroughly immediately after use to avoid clogging as it dries. A good tip for rinsing the applicator tip once you have a second bottle of masking fluid: keep the empty bottle, rinse it out and fill it with clean water, then put the applicator tip you just used on the bottle applicator and rinse out the liquid masking fluid by squeezing the bottle. If some masking fluid dries on the applicator, you can usually peel it off. If the inside of the applicator is dry, try using a fine needle to loosen and remove it, although most needles are not fine enough to be inserted into the uncut applicator tips. You can also use a paintbrush instead of the 5 tips that come with the masking fluid. Do not use your good paintbrushes, as all brushes will clog with dried masking fluid over time. Immediately rinse the brush thoroughly with water. Allow the masking fluid to dry thoroughly before painting with watercolors. Make sure your watercolor paint is dry before removing masking fluid. To remove masking fluid, use a Rubber Cement Pick-up rather than your fingers to avoid dirtying your watercolor paper or getting oil from your fingers on the watercolor paper. Replace the storage cap when you are finished with the masking fluid.